Quote:
Originally Posted by Chris
Beatles songs are insanely expensive to licence for TV. They did at least manage to use the sustained E Major chord that concludes the Sergeant Pepper album as the means of destroying Maestro, the (again, blatant, in-your-face) drag queen from central casting they put up as the monster of the week.
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Yeah, I get why they didn't use it but still annoying. Especially when the dance routine at the end was set up for Twist and Shout.
I didn't mind the villain; I thought they played the comically evil thing quite well. It's also cheap, but I liked how they played the theme in the cold open to crash into the opening sequence.