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Re: File Sharers Can No Longer Hide
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With the music industry one point that never seems to get raised is why we now need record companies. The internet now allows bands to sell music directly (and simply) and significantly increase their artistic control and slice of the cake. The overall cake might be smaller but in a world where Robbie Williams can apparently command an £80m advance. Of course there are issues of marketing, but massive marketing budgets have given us the crassest elements of the music scene (eg Maroon 5, Busted etc) whilst the most exciting and interesting groups (eg Franz Ferdinand) have emerged on independent labels. DVDs are just stupidly expensive so I have no sympathy. But no-one's mentioned software. Software piracy is surely a massive issue for the computer industry which the 'artists' - the programmers - suffer. Anyone guilty of having hooky software out there? Mind you I've just paid £3.49 for Nero OEM when the retail version is about £40. That manual's blinkin' expensive!! |
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I personally have no problem with people downloading music if they have already bought it (there have been a few times when I have bought an Album or Single, and over the years, it has been damaged so I just downloaded the songs to my PC). Quote:
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But if a record company is re-releasing product on which it has already recouped its investment then that shoulkd be reflected in pricing. So cost should be manufacturing, royalties, marketing, distribution plus a sensible margin. That is certainly not the case. As for the jobs argument, well, in a capitalist economy, companies/people will gravitate towards the lowest cost option. Downloading, legal or illegal, will result in job losses as the distribution chain is significantly shortened. If you look at the travel industry you'll see many, many high street retail closures and job losses because so many people now research and book online. Industries need to adapt to new technologies and the music biz has been remarkably slow to react. I buy DVDs from Play etc but still think £11 (as opposed to £15-16 on the high street) is expensive. There are two OEM versions of Nero. I've gone for the cheaper one with less functionality. The more expensive one, which I think includes the functionality your talking of, costs a wallet-emptying £8.49 ;) |
Re: File Sharers Can No Longer Hide
One thing that is being overlooked in those arguments about music and video pricing is that not everyone has or wants a PC and internet connection. They have to be catered for and pricing has to reflect their needs. You have to have most of the existing structure in place in order to cater for them and whilst very cheap online versions will benefit the internet user it will increase the costs and retail prices for high street buyers. Someone ends up paying for material which is downloaded for free or very cheaply and that is the people who are forced to buy on the high street. If you download illegally you are not just hitting the fat cats at the top of the industry.
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That argument may hold water if the market is static, but it isn't. Legal downloading is expanding revenues. From the BBC in 2004(http://news.bbc.co.uk/1/hi/entertain...ic/4044303.stm): "UK record companies are celebrating their best ever year for album sales, with a record 237 million sold in the 12 months to September." And if you really want to depress yourself, have a look at the list of the top ten selling LPs (three of which, incidentally, are best ofs where the record company has alreeady recouped its recording costs...... :) ) |
Re: File Sharers Can No Longer Hide
Share your hatred of the MPAA
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Secondly, how true is the 237 million figure? Is it based on copies sold by the record companies to wholesalers of which many may have never been sold on to customers. Is it extrapolated from sales of a sample of retailers which may be nothing like the truth. How is the figure arrived at as I know of no means whereby an accurate figure can be determined. |
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